Saša Bezjak

The Starry Sky, 2020
embroidery on fabric, 134 x 195 cm

Under the Canopy, 2024
embroidery on fabric, 120 x 140 cm

courtesy of the artist



The dynamism of Saša Bezjak’s creative process is driven by active drawing which, from the autonomous space of the medium, confronts the wider audience with subjects that are often pushed outside the realm of art. The artist brings them closer to us and shows them as vibrant, topical, and applicable to us all. She achieves an immediacy of communication through drawing that is ascetic and refined and which she uses to disclose themes that touch on sexuality, family relationships, the role of women in society, and transience, as well as art and politics. In an unexpected way, the artist forces us to think and feel. She often uses the intimate as a starting point for her work, knowing that she is able to awaken the dormant sensibilities of the viewer through identification. In her later, more mature period she has developed a subtle sense of when to express herself with line or colour, what sort of drawing style to use to present certain ideas, and what technique to choose to appropriately reinforce the sensual. She confronts us with various, also alternative, forms of work or ways of collaborating in the creative process, exploring the unusual ways that artwork can communicate with the audience. With her immediacy and restless inquisitive spirit that leads her from the depths of the psyche to societal subjects and to reflections on global art history or the cultural history of the area in which she lives, Bezjak represents an exciting artistic position which is, also due to its radicality, impossible to overlook. (Nadja Zgonik)

In the framework of the EMPACT project, Saša Bezjak developed a series of 21 original drawings on textiles. The drawings were inspired by photographs by Terezija Mostler (1881–1961), a pioneering Slovene photographer, who spent part of her life in Trate, Slovenia. The photographs depict a now distant way of life in the Slovenian countryside of the past. During a workshop on the topic of empathy for nature at the Museum of Madness Trate in September 2023, participants embroidered the drawings onto the fabric. The series of drawings and embroideries Needle in a Haystack (2024) will be presented in an exhibition at the Judgement Tower of the Maribor Minoriti in July and August as a Collateral Environment of EKO 9.

The Starry Sky, 2020, embroidery on fabric, courtesy of the artist

Saša Bezjak (b. 1971, Maribor) graduated in art education in 1999 in Maribor under the mentorship of sculptor Darko Golija, and in 2001 in painting at the art academy in Ljubljana under the mentorship of professors Metka Krašovec and Dr Nadja Zgonik. At the academy she also received her Master’s degree in sculpture under Lujo Vodopivec. She works in drawing, painting, sculpture, and embroidery and organises art events and workshops for youth and adults. She has participated in numerous group exhibitions and solo exhibitions; a recent notable presentation was part of the For Your Pleasure. Feminist Positions in Visual Art in and from Slovenia exhibition at the Moderna galerija in Ljubljana. Since 2006 she has been living and working in Gornja Radgona, Slovenia.

Triennial of
Art and
Environment
EKO 9 Eyes in the Stone is part of project EMPACT | Empathy & Sustainability, co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.